Len E Burge III: Master of Space & Time
Sculptor, illustrator, jewelry, fine art fabrication- installation, animation, prototypes, production, director, art direction, Len E. Burge III is a never-ending river of astonishing talent and a true artist that knows his craft like no other in his field. Millions of people have viewed the films and videos of his exceptional work. [endif]
IVCS3 CUSTOM CONTROLLER
Custom controller for iPad mini app "iVCS3" front panel-keyboard is a customized Arturia minilab. The 30 knobs on upper panel controlled by livid instruments brain V2. 3 ten-turn potentiometers. Joystick modular provided by Doepfer.
ANIMOOG CUSTOM CONTROLLER
This is the Animoog controller. Like the iVCS3 controller it is a custom controller for iPad mini app "Animoog" with a custom Animoog template that lays over original iVCS3 graphics. Front panel-keyboard is a customized Arturia minilab. The 30 knobs on upper panel controlled by livid instruments brain V2. 3 ten-turn potentiometers now controlling Animoog's Attack. Joystick modular provided by Doepfer.
Battle Beyond The Sun 1959 Redux - Score additions by Len E. Burge III "Full Film"
Science Fiction Classic with new score additions.
For More Music Visit Len Burge on : SOUNDCLOUD
ANIMALS - FX
Museum Installation 2012
Len's Specialties: "To Create and Fabricate Anything and Everything."
Gifted in the Arts, Len commands respect with his exquisite accomplishments, spending many years working in Commercial, Video & Art Direction and Production. His intense passion and outrageous ingeniousness has been felt within film effects, sculpture, design and on-set management which include such films as “Jonah Hex”, Punch-Drunk Love”, “Jurassic Park”, “Batman 2”, “Terminator 2”, “Edward Scissorhands”, “Predator 2”, “The Watchmen”, “I am Legend”, “No Such Thing”, “300”, and “The Last Samurai”.
Another area of expertise is Len’s masterful Toy Invention and Prototype Production. Len has worked with such companies as Spinmaster, Hasbro, Mattel, Sota Toys, Ravensburger, Jakks Pacific, Mcfarlane, K-Nex, Playvisions inc.
Len E Burge III has worked as a Senior Dimensional Designer for Walt Disney Imagineering, as well as a sculpture for Dreamworks, Creature Effects, and an Art Fabricator for CB Studios, Inc. Len has also spent 15 years functioning as a Producer, Director and Art Director in Hollywood on many live action and animation videos and commercials, including working directly with Olivier Gondry on his "Vineyards" commercial for Beringer wineries. Major tasks were to interpret his vision and create sets and characters and create stop motion timing tests.
Additional honors include being nominated for an MTV award.
MEET LEN E. BURGE III
Amy Fulton: Hello Len! Thanks so much for this incredible opportunity to allow us to learn more of the man behind the artwork. Your never-ending flow of creativity is brilliant and I just love it. Does your family carry the same artistic talents?
Len Burge: In a sense they do, or did at one time. I had the unique experience to witness it from time to time growing up. Whenever we went out to eat my father would have either an after dinner coffee or martini or both. After a while he would start drawing the greatest little pictures on the drink napkin. The detail was amazing. It was always one of two things, an aerial view of a WW2 plane flying through the clouds or a very surreal 2d sculpture of a flat, twisting disc with a large arrow piercing it through and a martini precariously balancing on the tip. Then there was my mother who only doodled on the cover of the phone book when talking on the phone, By the end of the year the cover was in tatters but in my opinion could have been framed and hung next to a Dali. I saved them when I could. Wish I still had them. I’m still jealous of their unconscious talents.
Amy Fulton: I think one of my favorite memories was watching my father draw. Love that answer...Please share some of your interests with us …
Len Burge: Science/Physics. Particle Physics to be exact. I truly enjoy trying to artistically vision what we cannot see. It’s a sort of translation for me. And what comes out of my head has more freedom then the things I usually have to create for the entertainment industry.
Ambient/experimental music. Playing and recording sounds either from vintage or new synthesizers and field recordings has got to be the best therapy imaginable for me in recent years. When the sculpting finally stops the music will always continue.